10-year-old Vinski feels like an outsider and invisible among his age-mates, and even with his single mother Krista. Vinski meets a mysterious pharmacist who gives him a bottle of magical powder. A powder, that allows you to become invisible for real and walk through walls. It is fantastic to have the powers of a super hero, but soon a group of crooks becomes interested in the secret of invisibility as well.

信仰的世界天翻地覆之后，她发现她深爱的父亲死了。当神秘诱人的娘娘腔的青年成为她的曲棍球教练，找到一个富有同情心的精神信仰和急需的母亲形象。她不知道茜茜是一个古老的巫师家族，以一个古老的樱桃树的果实在一个秘密的仪式，恢复生命的死亡和垂死的头。向一个孩子交换医治她的父亲，茜茜罢工讨价还价与信念，她忽然发现自己怀上了孩子，以惊人的速度增长。但随着孩子的出生滴答滴答的时钟和人类越来越明显的娘娘腔的计划的真实意图，信念和她的父亲必须站在一起，为了拯救自己的生命。

Captain Ambrose comes from a long line of distinguished sailors...but is all too susceptible to seasickness. After the war, he buys himself a nautical command on shore; a decrepit amusement pier at the British resort town Sandcastle-on-Sea, whose prim town council has outlawed arcade games as a form of gambling! Running the pier like a naval vessel, the captain's determination to make it a modern, going concern meets steady opposition. But with an unexpected new ally, he pursues a remarkable scheme to liberate his ship from land authorities...

When Owen is forced to confront the past he's been running from his whole adult life, he and his girlfriend, Isabel, become entangled in a horrifying web of lies, deceit and murder.

故事发生在罗马尼亚大革命的前夜。为了筹集资金购买武器，完成革命的最后准备工作，“革命者联盟”指示在布加勒斯特从事地下工作的巴伦西取出由施特劳保管了多年的一批财宝，把它交给一个代号叫“黄玫瑰”的同志。巴伦西接到指示后，同助手一起，几经周折，找到了施特劳的儿子，取出了财宝。在转送途中，他们碰见了女演员阿卡塔等二人，彼此结伴而行。但行不多久，他们遭到了政府军的袭击，巴伦西等人英勇牺牲，财宝落到了阿卡塔手里。原来她是反对派派来的间谍。“革命者联盟”得知这一情况后，马上派出自己的同志设法处死了阿卡塔，将那批财宝安然送到了目的地。

BillMillerisanunsuccessfulBroadwayperformeruntilhishandlersconvincehimtoenhancehisactwithastooge-TedRogers,aguypositionedintheaudiencetobethebuttofBill'sjokes.ButTedbeginstostealtheshow.Bill'sgirlfriendandhispalstellhimtomakeTedanequalpartner.Complicationsoccur,whileBillsingsandTedgetsthelaughs.

动物园准备开放，聘请一班实习生到访实习，没想到一种神秘病毒在动物园内开始蔓延爆发，全动物园的动物因而变成噬血活尸，成了真正的尸乐园，现在园区内的幸存者除了得想办法逃出生天外，还必须阻止这群饥肠辘辘的动物活尸走出园区……

本片是2014年爆款动作片《走到尽头》的菲律宾翻拍版。讲述警察爱德蒙·威廉在匆忙奔丧的路上意外撞人，随后卷入被敲诈勒索的危险局面。在动作片领域有专攻的菲律宾导演劳伦斯·法哈多，在本片中对节奏拿捏精准，不仅故事环环相扣惊险刺激，室内打斗动作更是迅猛凌厉，让观众肾上腺素飙升。他还为影片加上了大量本土化背景，以犯罪片的形式对某些社会现象作出了批评。

Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001 A Space Odyssey.　　In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed.　　The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.