Alone in Space is a high concept adventurous, warm and funny genre feature film that doesn't shy away from big questions about life and death. Alone in Space takes the audience on a ride with two kids lost in space, accompanied by a friendly alien.

小幽灵住在一个俯瞰小镇的城堡里，在每天午夜的一个小时后醒来。跟着他在去冒险看他的第一个日出!

The main character is Dr. Max Holst, a successful neurosurgeon. One day an intense little man named Steinmetz shows up, who has the real ability to create objects out of thin air, using only his mind. As no one believes him at first, he is held at a ward for mental patients, but manifests the key to his door and escapes. As he has a special interest in Dr. Holst, Steinmetz subsequently invites Holst to his large mansion, which is full of expensive paintings and sculptures, and proves to him that he can in fact materialise objects. Steinmetz’s abilities are evolving by leaps and bounds, and is progressing from being able to create objects only to being able to create living things. His ultimate ambition is to be able to create a human being. He tells Dr. Holst that if he will only perform a certain brain operation on him, Steinmetz will become able to attain his goal. He’s got all the necessary equipment set up in his basement. Dr. Holst, however, is too spooked by the whole thing to agree to this mad scheme, and refuses. Steinmetz then sets about manipulating Holst’s life, to pressure him into performing the operation. By then Steinmetz has become able to create a temporary human being, and in the hope that he can perhaps make his own creation perform the operation, he manifests a doppelganger of Dr. Holst. This double proceeds to take over Dr. Holst’s life, creating chaos for him professionally and personally. And then Dr. Holst starts fighting back. The ending has the dual virtue of being both unexpected and satisfying.

In a future world ruled by good-looking people, a terrorist group of mutants led by Ramon Yarritu kidnap the daughter of Orujo, a rich businessman, to claim for the rights of the ugly people. Escaping from the police in their spaceship, Ramon try to kill his gang in order to get all the ransom. The trip ends abruptly when they crash in Axturiax, the planet of the crazy miners where no woman lives

赫拉克勒斯是希腊神话中伟大的英雄，他是宙斯与阿尔克墨涅之子。阿尔克墨涅是珀耳修斯的孙女，底比斯国王安菲特律翁的妻子。安菲特律翁也是珀耳修斯的孙子，是泰林斯国王，但后来离开了那个城市，移居底比斯。阿尔克墨涅惧怕赫拉诅咒，多番让赫拉克勒斯身处险境，而小赫拉克勒斯却平安无恙。长大后他神勇无比，完成了十二项英雄伟绩，包括杀掉涅墨亚的狮子，杀掉斯廷法罗斯湖怪鸟，打败安泰巨人，被升为武仙座。此外他还参加了阿尔果斯远征帮助伊阿宋觅取金羊毛，解救了普罗米修斯等。本片讲述了有关他英勇无畏，敢于斗争的故事。

Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001 A Space Odyssey.　　In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed.　　The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.

小拉姆舅舅在田里发现锰矿,可没资金,想老婆把她的首饰拿出抵押.可他老婆死活不肯,非常不支持他.拉姆妈妈知道后,把所有首饰都给了哥哥,连结婚项链都给了.于是,拉姆舅舅把事情发展起来了.可期间,小拉姆父母双亡.拉姆舅舅只好把外甥带回家.然而,拉姆舅妈在得知她丈夫并不认为自己是那些财产的主人,而是替拉姆管理后,经常虐待拉姆,导致拉姆身心极大受伤.于是,在听取医生的建议后,拉姆舅舅把拉姆送到了不丹的一间寺庙.　　多年后,深受拉姆舅妈影响的拉姆的表妹茜塔在要得其爸爸的7千万卢比成为残忍无情的老板.不惜强行拆贫民窟推行她的商业计划.然而,她为了强行拆除贫民窟,她是借助了恶霸立法议员的能耐,代价是与恶霸立法议员同居一个月.可是,自认为了不起的茜塔却毁约,于是,恶霸立法议员为了得到她,不惜对她使出各种大招.　　就在此时,茜塔得知她爸爸死亡的消息,她开心啊,以为可以得到500亿卢比的财产.可是,她爸爸留给她的就是一条结婚项链,别的财产都给了拉姆.于是,自以为是的茜塔又认为能轻易从拉姆那得到那500亿的财产.　　可是.....人算不如天算......

在一个平凡的夜晚，美丽的空中小姐珍妮（Mercedes Masöhn 饰）和朋友宝拉（Bre Blair 饰）登上天空航空公司飞往堪萨斯的318次航班，执行有一次看似平常的飞行任务。一如既往，这架小型飞机上聚集着各色各样的乘客，珍妮耐心友善地服务乘客，却不知危险正渐渐逼近。飞行途中，一名肥胖的乘客神态异常，在吐了珍妮一身秽物之后，竟发狂地冲向驾驶舱要求下飞机。机舱内一片混乱，万般无奈之下，飞机只得迫降于洛杉矶机场。而在这一过程中，宝拉也被胖子啃噬，情况危急。　　机组成员和乘客来到洛杉矶机场，却发现偌大的机场内空无一人，他们仿佛被世人囚禁于一个隔离的区域中……

赫兹克家人总是生活在忙碌中，托马斯和苏珊娜整天忙个不停，只好经常拜托别人照顾孩子eee。当一个特殊的保姆到来后，孩子们才发现她没那么好打发。梅奇塞尔德，不仅年轻优雅，会功夫，还会讲古老的中国故事。一天梅奇塞尔德终于吐露了指引她来到赫兹克家的秘密：她是为一个音乐盒而来，托马斯从中国带回来的古老纪念品。r　　很久以前，一位中国王子想娶一位名叫梅奇塞尔德的德国女孩为妻，但是邪恶的王后极力反对，并企图杀害女孩。无奈王子与爱人只好变作音乐盒上的两个木头人，以期日后重逢。王后得知后，便命人将王子与女孩分开，让两人永远无法相见。为了破除诅咒，必须找到音乐盒。而这个古老的音乐盒已经被孩子们在网上卖掉，如今为了帮助梅奇塞尔德与王子重逢，赫兹克家人决定开始寻找音乐盒……

美国爆发xb疫情,科学家束手无策,历史上曾有人治愈过该病,无奈资料被毁,科学家们只得使用时间机器回到过去寻找,不料却遇到了1871芝加哥大火灾。。一部伤感的经典科幻片，正大剧场好像播出过

三十多岁的美丽的精神病学家萨曼塔·古得曼博士和她的丈夫、姐姐一起前往一处冬季别墅度周末，遇到了一个意想不到的客人。暴力性侵犯者哈伦·派恩认为萨曼塔在做他的医生的时候，曾经在他身上做过不道德的试验。在他的那个烦人且性急的徒弟的帮助下，哈伦强迫萨曼塔和他的家人参加一系列恶梦般的游戏。在这个恐怖的夜晚，逃跑不是唯一的选择，实话不能保证任何事情。

盛夏。一个古老的庄园。14岁的米佳在这里的夏令营度过了告别童年的100天。集合号、升旗仪式、懵懂的初恋、幻灯片上蒙娜丽莎的微笑、到邻近的集体农庄参加劳动、把莱蒙托夫的《假面舞会》搬上夏令营的舞台，这些便是米佳在“森林岛屿”夏令营中的主要生活。在感受大自然的美好和文学丰盈滋养的同时，米佳也经历着单相思的沮丧和对童年即将过去的怅惘。影片按11个标题划分出段落，每个段落衔接自然。影片内在的韵律节奏推进着情节的发展。　　导演谢·索洛维约夫天才地将绘画、文学和音乐贯穿在本片中。用美和智慧拯救心灵似乎是他一贯表达的主题。本片也不例外。少年纯净天真的气质、内心尖锐的疼痛、自我意识的雏形都得到了完好的呈现。在镜头描绘大自然、光与影的细微图层的同时，索洛维约夫捕捉着人物转瞬即逝的情绪变化，就是在这样一个孤立的岛屿和人生必经的一段旅程上，主人公内心的力量慢慢积蓄。　　无论是《童年过后一百天》，还是之后的《白夜的旋律》、《阿萨》、《黑玫瑰——悲伤的象征，红玫瑰——爱情的象征》、《星空下的房子》等，几乎所有索洛维约夫的影片都涌动着喷薄而发的激情，充满着无尽的魅力。　　本片获1975年柏林电影节银熊奖，1977年苏联国家奖金。