Dawid, Vanessa and Ludwig are the finalists at a pitch-competition for a movie about the German Rap phenomenon CRO. As the three youngsters work out their extraordinary film ideas, they must fight through unexpected personal challenges.

Out of the fifties 'B' Science-Fiction monster movies, this easily ranks as the best. It's most notable as the film that ALIEN is an unaccredited remake of, thus giving it a certain historical significance.　　The intriguing plot is about the rescue of the only marooned survivor (Col. Carruthers) of an ill-fated expedition to Mars. The authorities, pig-headed as usual, falsely assume that he murdered his fellow crew members, so that he'd have more provisions to survive; hence he is being brought back to Earth to face court-martial for murder. (There is also a somewhat interesting plot reversal here Most movies of this nature usually begin with the ship leaving Earth, enroute to its otherworld destination, while, in this case, the story is believed finished, and begins as the characters take-off from the other planet, returning to Earth). As the rescue ship is leaving Mars, a lurking, ominous shadow is seen in the lower compartment. (A frightening, atmospheric moment, accomplished through sheer economy and simplicity).　　Carruthers insists of his innocence to his fellow captors, claiming that his original crew mates were slaughtered by a hostile, unseen presence on the desolute red planet, but three-guesses as to their reaction to his unusual plea. Naturally, he can't prove it, and 50's space authorities were not very alien conscience at the time. (As a side-thought, unseen menace may remind you of that highly original BLAIR WITCH).　　As everyone sacks out, a hapless supporting charactor whose name is at the bottom of the casting list (guess what will happen to him) hears something in the lower compartment. Despite your futile don't go down there, you jerk! pleas, he does just that, and is appropriately killed (more like thoroughly obliterated) by the shadowy figure with insatiable blood lust on its mind. In the victim's case, dereliction of duty and sheer cowardliness would have been the wise decision. The scene is actually well-directed (for a change) and develops much suspense, as the entire film surprisingly does.　　The crew finally catches on that they have an unwanted ship crasher on board, and try every possible means at their disposal to eliminate it, but the unknown creature seems to copping an anti-death attitude. Proving to be an even more clever, worthy adversary, 'IT!' also hides out in the ventilation shafts of the ship (now that should ring a bell). Cahn's forceful direction generates considerable tension as the malevolent stowaway works its way up from one level of the confined ship to the next, eventually leaving the remaining characters trapped at the top. The movie's suspense is blunt and right to the point IT!' has to kill them or starve, hence they have to kill IT! or die. Nothing like those no two ways about it choices. Rent it, or check for it on cable if you wish to know the outcome.　　For a low-budget quickie, IT! is quite impressive and memorable. The dreaded sense of claustrophobic tension, rendering the characters' helpless entrapment, is highly effective. This is a production in which the limited budget and small sets actually work in favor of the plot's scary ambience. The black white photography (Yes, it's one of those!) helps to enhance its dark, creepy mood, and the sense of apprehension is quite high. (Modern day color freaks never seem to take that into consideration). The plot is also somewhat cynically ironic If the creature hadn't stowed away on the ship, Carruthers would have most likely been found guilty of the charges against him.　　The intelligent script (see what I mean about rareity) was penned by noted Science-Fiction author Jerome Bixby (remember Twilight Zone's It's a Good Life) The picture's taut editing eliminates any extraneous dross. (ALIEN tended to drag in its first hour with its sophomoric dialogue, and why did it have to include that stupid and ultimately counter-productive sub-plot of Ash being a robot, and further dragging the story down to another big bad conspiracy cliche UNNECESSARY!!!)　　Director Cahn astutely keeps the rubber-suited monster off-screen and in the shadows through-out most of the proceedings, keeping your paranoid imagination on constant alert. Unfortunately, perhaps at the studio's commercial insistance, it is a little over-revealed at the climax, but I haven't claimed this to be the perfect masterpiece. The performances, though nothing award-winning, are nevertheless cool enough so that one becomes sincerely concerned as to their fates. Not many movies in recent times ever come close to achieving that. They can be over-produced from here to eternity, and usually only succeed in being gloriously annoying.　　This film's story is not really totally original (what is), for it is based on A.E. Van Vogt's VOYAGE OF THE SPACE BEAGLE. All ALIEN fanatics should track down an old used copy to see where the initial influence came from.　　As long as you're not craving another CGI wind-ding, you may find it worthwhile. Just don't expect the women to be Ripley precursors. This was still the sock-knitting fifties, sad to say.

立志当人类历史上第一位宇航员的丹•米尔顿•普雷斯科特（比尔•艾德华斯 Bill Edwards 饰）驾驶代号Y-12的宇宙飞船前往太空，在进入外太空的一刹那，他因为过于兴奋而忽略了总部的命令，最终导致飞船失控。飞船坠入大气层，与总部失去联系。不久，国防部的人找到飞船残骸，而惹出祸端的丹却在女友处潇洒快活。　　丹的特立独行给国防部高层留下极深的印象，他们顶住各方压力，仍然决定派遣丹驾驶Y-13再次前往太空。当达到600’000尺的高度时，丹的老毛病再次复发。他不顾总部的命令，直线冲入外太空。结果飞船失控，受到宇宙粉尘袭击，最终爆炸。国防部找到飞船遗骸，却未见到丹的身影。随后不久，一个恐怖嗜血的生物开始在城市中出没……

In 1959, an alien experiment crashes to earth and infects a fraternity member. They freeze the body, but in the modern day, two geeks pledging a fraternity accidentally thaw the corpse, which proceeds to infect the campus with parasites that transform their hosts into killer zombies.

暴雨代替了众人的无语，空气裡的震惊与愤怒如鹰，盘旋在豪宅的大厅，等待著迟迟未归的男主人保罗。拥有高薪工作、漂亮妻子和可爱小孩的他，犯了禁忌的爱，而被阻隔在完美的生活门外。他的家人和教会，决定以上帝之名治癒他、拯救他。教堂内，轰隆的祷念不断灌入保罗耳内，喃念之语泛起震盪，碎裂了他的精神，以恐惧黏组成满佈裂痕的信念。　　出轨到出柜，爱上在世俗眼光中不该爱的人。保罗与新欢搬进新公寓，开始自由的新生活，但他的心却未曾安心入住。他的爱情，被视为罪与疾病，受到各方抵制、谴责；他被所爱之人折磨，痛苦地徘徊在伤害和幸福之间。　　「我想了解一个受过教育的人，最终会如何陷入他自己心中的监牢。宗教环境、政治压迫和传统家庭，又如何压迫男人的同性情爱。」──加伊罗．布斯塔曼德

女孩霍滕西亚的父亲被电冰箱的门电击死去、被老板炒鱿鱼、男朋友和她最要好的闺蜜在一起了——绝望之中，她发现了自己十四岁时写的人生目标并自此信誓旦旦：“去和一个像父亲一样拥有金色头发的男孩结婚，并设计出全世界最美丽的鞋子。”然而当她没有认真去倾听自己内心真实声音的时候，事情只会越来越糟。最终她将电冰箱推向了悬崖，也不再管什么十四岁的愿望，让当下的自我去做选择。

一群好朋友坐船出游，在遭遇了撞船事故后，他们被困在一个不知名的小岛上。在那里，他们遇到了一个原始的部落。

三位理科宅男，大學時期就是換帖好友，畢業後卻面臨金融風暴而失業，只好隨便找份工作餬口。某天，成為化學系教授的貝德羅（大衛貝爾塔格飾演），打造出一款增強注意力的維生素，卻因為研究經費不足慘遭校方解雇。走投無路之下，貝德羅竟揪兩位好友一起吞了這款維生素，更意外發現這款藥丸不但沒有副作用，還會讓人情緒高亢！於是，他們決定不當乖乖牌，開始走歪路開啟製毒事業，想靠賣藥日進斗金，天天開趴嗨到翻。不過他們萬萬沒想到，原本平凡的生活，就這樣陷入充滿危險的夜世界…。

亨利（加里·格兰特 Cary Grant 饰）是一名英俊帅气的法国军官，在前线，他结识了前来应援的美国陆军妇女队军官凯瑟琳（安·谢里登 Ann Sheridan 饰），尽管两人之间的交流经常伴随着吵吵闹闹，但随着时间的推移，亦产生了真挚而奇妙的感情。　　战争结束后，亨利决定跟随凯瑟琳前往美国，结婚并开始幸福的生活，然而此时，一个难题却摆在了他们的面前，那就是亨利并不能取得美国的合法居留权。为了解决这个问题，亨利和凯瑟琳想了一个损招，那就是让亨利打扮成妇女队的军官，混进美国。让两人没有想到的是，这个看似完美的计划执行起来却遭到了诸多变故，他们能够获得最终的“胜利”吗？

一部有关宗教巫术的准记录片，世界前50名纪录片第39位。　　简介：《女巫们》也叫《历代的巫术》，可以看作是一部有关宗教巫术的准记录片。1919 到1921间丹麦导演创作了这部瑞典与丹麦合拍的超越时代杰作，并在该片中扮演魔鬼一角。这部影片构思新奇、造型技巧高超、画面结构严谨，运用富于表现力的特写镜头和动作感强的蒙太奇均很恰当。但是由于宗教原因，这部电影当时被瑞典和其他欧洲国家列为禁片，直到1929年，经过严格删剪的版本才在美国出现。导演也因为当时Hollywood的纳贤口号而移居美国，但也并未得志，郁郁而终。这部作品的意义不仅在于题材的敏感和手法的前卫，在视觉成就方面，本片无疑更是电影史上的翘楚之一。

西班牙恐怖片大师Ibáñez-Serrador一鸣惊人的电影处女作（他的另一部经典是《谁能杀死孩子》）。片中众多美少女、美少男以及导演如何在佛朗哥治下严格禁欲的电影审查束缚中巧妙地表现强烈的性欲是这部电影额外的两大看点。

A murderous religious cult is way-laying travellers and stealing goods in nineteenth century India. As the disappearances mount and trade becomes difficult, the British East India Company is forced to act. But they give the job to an upper-class officer completely out-of-touch with the country rather than the obvious candidate who has been in India for years and well understands the people and culture.

在他的爱妻去世后，心里不平衡画家本认为自己是文森特·梵高的转世，于是他挖出她的尸体 - 与他的恋尸癖管家的帮助下 - 将其带回给他的城堡，并用它赋予“灵感”。很快他就遇到一位美丽的音乐家，她的长相相酷似他已故的妻子，他将她带回自己的城堡。然而，她最终发现了他们的秘密：管家杀害了这个年轻女子并用她的尸体的血液当作他们 “生命的色彩” - 艺术家的颜料

本片讲述了三个以字母为代号的男人的神秘冒险经历，时长245分钟，共分为18章节，以魔幻现实的手法表现出阿根廷近代历史文化的变迁，叙事方法新颖独特，长镜头摄影精湛，尽管并不属于大制作，而是小成本的独立电影，但最后的结局却给人以强烈而深刻的印象，是近些年来难得一见的阿根廷实验电影杰作。（08维也纳国际电影节）　　In this adventurous experiment in storytelling, secret identities, missing persons, lost treasures, exotic beasts and desperate criminals are only a few of the elements woven into a grand tapestry of mysteries.

洛基（Eric Stoltz 饰）患有基因疾病，自四岁以来头骨不断生长，这让他的面庞硕大怪异，所幸学习能力未受疾病妨碍。嬉皮士母亲弗洛伦斯（Cher 饰）所做的不但是将洛基独力养大，更培养成他乐观的性格。一班摩托骑士朋友围绕在这对母子周围，给予洛基小集体的支持。洛基在九年级学校生涯中很快凭借自己的优秀表现扭转了新同学们对自己的观感，另一方面弗洛伦斯却因生活压力陷入对毒品的依赖，骑士戈尔与儿子的温情让她停止自暴自弃，但逐渐成人的洛基开始为可望不可即的爱情神伤……　　本片获1985年戛纳电影节最佳女演员奖，1986年奥斯卡最佳化妆奖。根据洛基·丹尼斯（Rocky Dennis）的真实故事改编。

乔治（史蒂夫·马丁 Steve Martin 饰）好不容易才接受了女儿已嫁为人妻的现实，本以为生活能够重新归于平静，没想到女儿怀孕的消息再度让乔治陷入了焦虑之中。女儿怀孕，不仅意味着她将步入人生新的阶段，同时还意味着，乔治已经到了升格成为外公的年纪了，一种深深的危机感弥漫在乔治的心头无法挥散。　　不知是福是祸，乔治的妻子妮娜（黛安·基顿 Diane Keaton 饰）也有喜了，一边是外公，一边是父亲，被两种身份困扰得焦头烂额的乔治能够担负起自己的责任吗？在这样一个节骨眼上，不知道是哪根筋搭错了的乔治竟然将精力投入到了证明自己依旧“宝刀未老”这件事情上面。

A journalist goes in search of the truth after a series of brutal deaths and disappearances lead back to an urban legend about a serial killing clown that has stalked the woods of Century Park for over a hundred years.

Three youngsters encounter an evil clown.

Using few words and gorgeous imagery, this is a poetic painting of a family, each in their own space on an August afternoon.